Historic Heineken sign on wall.

Annual
report
2025

 

Open report (opent in nieuw tabblad)

2025

key insights

 

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what shaped the heineken collection this year

A clearer way of working

 

The start of a new strategic period brought sharper focus to how the Collection operates. With For‑EverGreen: our history, our future, priorities were clarified and ways of working further aligned. This reduced pressure from ad hoc requests and made it easier to plan work that benefits from continuity.

Much of this effort remained largely invisible. Registration practices were refined, systems prepared for the next phase of data management, and Archive Revive continued as planned. These activities rarely draw attention, but they are essential to keeping the Collection reliable and manageable at scale.

Over the year, this focus on structure and alignment led to a more consistent and disciplined way of working.

Heritage in use

 

Heritage continued to be applied where context adds value. Throughout the year, senior leaders and global teams worked with historical perspective to support leadership dialogue, strategic storytelling and future‑facing initiatives.

This became visible at several key organisational moments. At the opening of HEINEKEN’s new R&D Centre, history was embedded in the programme through a curated mini‑exhibition and narrative framing. During Amsterdam’s 750th anniversary, the Collection helped position Heineken’s story within the city’s broader cultural history.

Long‑standing partnerships such as SAIL Amsterdam were also placed within a wider historical narrative rather than presented as standalone milestones. Together, these moments show how historical context continues to function as a practical reference in the present.

Stories built to last

 

The focus this year was on completing longer‑running projects, while more efficient ways of working helped create space for initiatives that require time, focus and a clear link to the EverGreen 2030 priorities.

This is reflected in the completion of Green Giants, which brought twelve leadership stories together into a single oral history, and in the conclusion of the Brew Roots trilogy within The HEINEKEN Series. The final shoot in Slovenia documented a brewery at the end of its operational life and now forms the visual thread running through this year’s annual report.

Alongside this outward‑facing work, safeguarding the Collection remained an ongoing focus. Audiovisual heritage continued to be digitised at scale, conservation and registration work progressed steadily, and digitally born material was systematically captured to ensure contemporary developments receive the same level of care as historical ones.

04_Mission, Vision & Motto

Mission, vision

& motto

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MISSION  

The Heineken Collection Foundation (HCF) preserves and presents the heritage of HEINEKEN. 

 

VISION

The HCF wants to inform and inspire a worldwide audience by preserving, collecting & sharing compelling and authentic objects and stories about Heineken (company, brand & family) and certain incorporated breweries.  

Through the promotion of knowledge, understanding and enjoyment of the Heineken Collection, the HCF enriches the understanding of Dutch entrepreneurship in a global context.

 

Motto 2025 – 2027

05_Chairperson’s Statement

 

Chairperson’s

statement

 

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T

his was the first year of a new strategic period under a new motto; For-EverGreen: our history, our future. It was a steady, constructive year in which the team delivered across all three pillars of our strategy: thought leadership, a more connected collection, and futureproof collection management.

Heritage storytelling continued to play a meaningful role across the organisation. The team supported senior leaders, global functions, and markets with talks, tours, and tailored sessions that linked HEINEKEN’s history to the organisation’s current ambitions. The Green Giants series was completed and shared widely, bringing twelve pivotal leadership stories together in one coherent body of work. Visual projects under The HEINEKEN Series added new layers of documentary value to the collection. 

We also launched the first edition of the For-EverGreen Day Awards, inviting OpCos to submit objects that reflect pioneering work across the EverGreen 2030 priorities. The strong response showed the appetite across HEINEKEN to contribute tangible stories of progress to the collection. 

Behind the scenes, the team kept the foundations healthy: Archive Revive stayed on track, conservation work remained disciplined, digitisation efforts continued to expand, and system upgrades prepared us for the next phase of data and collection management. These operational steps often go unnoticed, but they are essential for longterm stewardship. 

I want to thank Demelza and the team for their professionalism and commitment throughout the year, and I am grateful to the Executive Board of Heineken N.V., Mrs Charlene de Carvalho-Heineken, and Mrs Lieke Westendorp for their continued support. 

As we move further into this strategic period, our focus remains clear: protect what has shaped HEINEKEN’s identity, document what is shaping it now, and ensure the collection continues to serve the organisation with relevance and integrity. 

Cheers!

 

Marc Koster

Chairperson Heineken Collection

 

06_Reflections from our Collection Manager

reflections

from our collection manager

 

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L

ooking back on 2025 from inside the Heineken Collection team, what stands out is not a shift in who we are, but in how we delivered our work. We have long operated as a strategic partner to The HEINEKEN Company, and this year strengthened that role through sharper methods, clearer priorities, and more consistent collaboration across the organisation.

Much of our work took place behind the scenes: refining workflows, strengthening registration practices, stress‑testing our systems, and reinforcing the foundations that allow us to scale our work in a fast‑moving environment. At the same time, 2025 brought renewed visibility – from media attention to speaking engagements and project showcases. Both the visible and less visible parts of our work, and the impact they created, are reflected in this report.

We also saw more colleagues turning to historical context to support leadership decisions, capability building, and brand development. This growing demand encouraged us to simplify our storytelling, improve our tools, and work more proactively across regions and functions.

Looking ahead, our priorities for the coming strategic period remain grounded in EverGreen 2030 – the long‑term direction of The HEINEKEN Company. The Collection is already the reference point for HEINEKEN’s heritage resources and expertise. The focus now is on improving access, so colleagues can use that knowledge when historical context matters.

To deliver on this, we will continue strengthening the three pillars of our Strategic Plan 2025–2027:
Thought Leadership & Inspiration – gathering, interpreting, and sharing reliable historical information, and scaling standardised storytelling that connects EverGreen themes to their historical context.
Connected Collection – improving digital access, accelerating digitisation, and building tools that make the Collection easier to use across markets.
Future‑proof Collection Management – maintaining rigorous, efficient, and sustainable stewardship through refined procedures, cost‑conscious operations, and proactive care of both physical and digital assets.

2025 reaffirmed the active role heritage plays in HEINEKEN’s future. The years ahead are about making that role even clearer, more practical, and easier for colleagues to draw on when they need it.

Thank you to the team for their continued commitment, and to all colleagues, partners, and supporters who helped strengthen our work this year. Your engagement keeps us moving forward.

Warm regards, 

 

Demelza van der Maas

Collection Manager

07_Thought leader & Inspirator

WE are
thought-leader & inspirator

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I

n 2025, the Heineken Collection Foundation introduced its new strategic plan, For‑EverGreen: our history, our future. Building on what proved effective in the previous strategic period, the plan also introduces new ways of working to improve efficiency and create more space for strategic, long‑term work, rather than time‑consuming ad hoc support.

 

This segment of our annual report highlights how we have supported narrative development, creative work, and broader historical understanding across the organisation.

Setting the strategic direction

Ahead of a wider rollout, the strategy was formally endorsed by the HEINEKEN Executive Board, providing a clear mandate and alignment at the highest level of the organisation.

We subsequently presented our plan at the Heineken Experience Q1 meeting, marking the start of implementation. It sharpens our focus on audience‑centric storytelling and increased standardisation, making HEINEKEN’s heritage easier to find, easier to use, and more clearly linked to the EverGreen 2030 priorities.

This phase balances innovation with stewardship. By safeguarding authenticity and accessibility, the Collection fulfils its role as a thought leader and a practical contributor to how HEINEKEN understands, applies, and activates its history.

Storytelling highlights

Amsterdam in the spotlight

Celebrating 750 years

 

As part of Amsterdam’s 750th anniversary celebrations, the Heineken Collection Foundation (HCF) played a leading role in sharing Heineken’s story with the city and beyond. This work included an interview for Het Parool, a keynote presentation at the Dutch press launch of Mokum 750 in Café De Eland in Amsterdam, and a joint presentation at HEINEKEN’s Head Office Townhall. The HCF also authored a special HEINEKEN story for the official ‘750 verhalen (externe link, opent in nieuw tabblad)’ website, ensuring that the company’s deep connection to Amsterdam was highlighted throughout this milestone year.

 

Celebrating innovation

Opening new R&D Centre

 
 
The grand opening of HEINEKEN’s new R&D Centre marked an important step in the company’s commitment to future innovation. The event was attended by the King of the Netherlands, several dignitaries, and members of the Heineken family. The Heineken Collection team played a central role throughout the programme: we curated a mini‑exhibition showcasing key innovations from our archives, and one of our colleagues featured prominently in the launch video to anchor the story in our historical legacy.
 
The programme was hosted by our Collection Manager, who framed the programme within HEINEKEN’s broader historical narrative. Together, these elements demonstrated how the Collection connects HEINEKEN’s heritage with its future ambitions.


Koning Willem Alexander op het podium met Dolf van den Brink. Mevrouw De Carvalho-Heineken en Demelza van der Maas, bij de opening van het nieuwe R&D Cenytre in Zoeterwoude, met boven hun hoofd een groot scherm met daarop Henry Pierre Heineken afgebeeld.

50 years of partnership

SAIL Amsterdam

 

In 2025, SAIL Amsterdam marked its 10th edition, celebrating both 50 years of SAIL and 50 years of partnership with Heineken®. The HCF shared the rich history connecting Heineken and SAIL—highlighting how water, shipping, and tradition have shaped Heineken’s growth and identity. Our contributions included crafting the storyline for the press release, presenting to stakeholders during the SAIL-in parade, and sharing anecdotes about iconic Heineken moments and objects, such as the legendary Bierboeier. These efforts helped showcase Heineken’s enduring role in Amsterdam’s maritime heritage. 

 

 

Green Giants

 

Launched in 2024, Green Giants was our long‑term oral history project capturing firsthand reflections from current and former colleagues across the organisation. In 2025, the final four episodes were published, bringing the series to a close.

With a total of twelve episodes now added to the Collection, Green Giants enriches our corporate memory by combining personal experience with archival context. To mark the end of the project, we produced a short wrap reel capturing the people, stories and values at its core.

All episodes can be found on the Heineken Collection website (externe link, opent in nieuw tabblad).

Watch the wrap reel here

The HEINEKEN series 

 

The HEINEKEN Series is our ongoing collaboration with Magnum, an internationally respected collective of photographers and visual storytellers known for independent documentary work. Their approach aligns with the purpose of the Series: capturing HEINEKEN’s contemporary story with artistic integrity and a clear sense of place. For each shoot, Magnum partners with local photographers to ensure the work reflects the character, community, and lived reality of each location — grounding the Series in authentic, context‑specific perspectives.

Each edition adds high‑quality, current material to the Collection, helping us capture not only where the company comes from but how it is changing today.

The first trilogy, Brew Roots, focuses on European heritage breweries that have closed or are at risk of closing. After Edinburgh and Schiltigheim, the final shoot took place in early 2025 at the Union Brewery in Ljubljana. The shoot documented the craft, atmosphere, and community role of a brewery at the end of its operational life.

All header images in this year’s annual report come from this final Slovenia shoot, providing a consistent visual link and marking the closing chapter of Brew Roots.

With the trilogy now complete, the next HEINEKEN Series will shift to global bar culture, keeping the same principle: using contemporary photography to strengthen HEINEKEN’s living heritage.

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Vintage Bottle Campaign

 

In partnership with HEINEKEN in the Netherlands, the Collection team helped develop the concept for the Vintage Bottle Campaign, celebrating Heineken®’s iconic bottle design.

Working closely with the Dutch brand team, we contributed historical insights for the bottle and crate design, and co-authored the press release and Q&A to highlight the story behind the limited-edition packaging. We also participated in a video shoot with influencer Quinty Misiedjan, resulting in an engaging and humorous social media post (externe link, opent in nieuw tabblad).

The campaign’s photo competition winners were prominently featured on the Heineken Collection Foundation website (externe link, opent in nieuw tabblad) and can be seen in the image slider below.

 

 

De Blauwe Parade

 

Our team was asked to provide historical context for the redesign of the Blauwe Parade (externe link, opent in nieuw tabblad) — a café that forms part of the historic Die Port van Cleve complex, built on the site of HEINEKEN’s first 1864 brewery.

 

 

HEINEKEN People Conference

 

Drawing inspiration from the company’s Amsterdam roots, our Collection Manager took the audience on a journey through HEINEKEN’s people-centric evolution. Through stories of employees from different eras and backgrounds, Demelza illustrated how HEINEKEN’s people function has grown from personal care and community to a global, purpose-driven culture.

The session celebrated the company’s commitment to empowering individuals, embracing change, and building a future that matters for all generations.

 

 

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Celebrating female achievements in brewing 

No Women, No Beer

This year saw the successful completion of the No Women, No Beer project, shining a spotlight on the vital role women have played in the history of beer.

The project resulted in a rich variety of assets, including multiple stories that highlight female achievements in brewing across cultures and centuries, three engaging videos, and a set of visual timelines illustrating the evolution of women in beer. Together, these resources inspire a broader appreciation for the contributions of women to the world of beer.

Special recognition goes to Charlotte Grotenhuis, Olaf Slijkhuis, and Marie Baarspul, whose dedicated research and storytelling brought these long-overlooked histories to life.

Driving acquisitions and strengthening Horeca partnerships

 

Throughout the year, the Collection supported HEINEKEN Netherlands’ commercial and Horeca teams by using heritage to bring depth and credibility to key stakeholder moments. This aligns with our new strategy, which positions heritage as a practical asset for growth, creativity, and stronger partnerships.

Tailored tours, customised heritage sessions, and focused presentations helped colleagues frame negotiations, enrich partnership conversations, and show how HEINEKEN’s story continues to shape contemporary hospitality environments. Our work ranged from bespoke tours for House of Noa and NAM Leisure—highlighting how brand history reinforces premium positioning—to a history session for Poollokaal De Gracht centred on beer culture, social games, and community spaces. We also contributed heritage context to strategic engagements such as contract renewal discussions and early explorations linked to the Warmoesstraat Biennale 2026.

To scale this approach, we launched an acquisition pilot in collaboration with the Heineken Experience Operations team and HEINEKEN in the Netherlands. The pilot introduces a standardised format that reduces preparation time while still allowing client‑specific adjustments to the narrative and the objects we showcase. It also enables broader involvement of Operations colleagues through targeted training, strengthening cross‑functional collaboration.

Looking ahead, this pilot will form the foundation for a repeatable model that combines heritage storytelling with commercial impact—positioning the Collection as a strategic partner in driving growth and deepening brand engagement in the Dutch market.

Heritage Hub launch

 

This year, we introduced the Heritage Hub: a dedicated online environment that brings together HEINEKEN’s heritage resources in one place. It offers curated timelines, stories, images, and videos that trace our development from a small Amsterdam brewery to an international business.

The Hub complements the Heineken Collection website but serves a different purpose. While the website supports external audiences, the Heritage Hub is tailored to our largest user group: HEINEKEN colleagues worldwide. As an internal environment, it provides direct access to materials that support narrative development, creative work, onboarding, and broader organisational projects.

By centralising these resources, the Hub helps standardise how heritage content is found and used across the company and strengthens how colleagues engage with our history in day‑to‑day work.

Dr. Elion's grandson, posing here underneath a picture of his grandfather. Amsterdam | April 2025

Notable Visitors

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hosting guests in our depot and heritage quarter

 

To improve efficiency in how we host visitors, we introduced standard sets of Heineken® and Amstel® objects and placed them in fixed locations within the depot. This reduces preparation time and allows us to focus on selecting the additional objects needed to tailor each visit.

Throughout the year, we welcomed several new colleagues from the Heineken Experience, as well as the new advertising agency teams for Heineken USA and Heineken Mexico. These introductions help teams understand how our heritage supports creative work and strengthens brand narratives.

We also hosted the Indian Ambassador and Economic Attaché, highlighting the Collection’s role in diplomatic engagement and its ability to bring people together.

A cultural exchange with external partners from India added a cross‑cultural dimension to our visitor programme. The visit formed part of an exploration of potential collaboration between United Breweries Limited and a leading museum in Bengaluru, aimed at strengthening the visibility of the Kingfisher brand. It underscored how heritage can connect collections, cultures and brand histories across continents.
 
From APAC, we received the new General Manager of Heineken Taiwan and the new APAC Finance Director. Their visits aligned regional leadership with the Collection’s global story and the opportunities it creates for market‑level storytelling.

We also organised a bespoke tour for the Australian Ambassador to the Netherlands, and an introductory session for a cohort of new Corporate Affairs Directors, offering them a structured overview of HEINEKEN’s heritage resources and storytelling potential.

Closer to home, a group of De Pijp residents visited for a session on the neighbourhood’s historic ties to Heineken®, followed by a tour of the depot, exhibition and roof terrace.

Another custom visit came from the Global Heineken Communication team, focusing on communication through the ages, with particular attention to advertising centred on socialising and bar culture.

Finally, the Amstel Brand Team continues to be a regular visitor, using the depot for inspiration. Together with teams from Ecuador, Bolivia and Paraguay, they explored how their market ambitions connect to a shared global heritage.

from collection to socials

Curated objects also featured in externally published content, including Instagram posts developed in collaboration with the Heineken Experience and creative partner Boomerang.

 

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Capturing today’s progress — preserving tomorrow’s heritage.

For-EverGreen Day Awards

 

2025 marked the launch of the For‑EverGreen Day Awards — a new, annual initiative to collect contemporary artefacts that reflect pioneering work across The HEINEKEN Company.

Teams across the organisation were invited to submit an artefact – physical or digital – that represents recent pioneering work aligned with EverGreen 2030. These submissions enrich the Collection with tangible evidence of how colleagues are translating strategy into practice.

With around fifty submissions received during the first six‑week submission window, the response confirmed a strong appetite to contribute to HEINEKEN’s corporate memory.

The Awards are held each year on or around 15 February, marking the date in 1864 when our founder, Gerard Adriaan Heineken, purchased his first brewery in Amsterdam. By anchoring the ceremony to this moment, we deliberately connect HEINEKEN’s origins with the innovations shaping the company today.

The first award ceremony took place on Friday 13 February 2026, establishing a clear annual rhythm for capturing today’s progress and preserving it as tomorrow’s heritage.

08_Connected Collection

WE are
connected

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a

digitally accessible and well‑connected collection remains central to serving colleagues worldwide. In 2025, we continued to strengthen the systems that underpin our digital ecosystem, focusing on sustainability, security, and long‑term resilience. We accelerated digitisation, improved the quality and structure of our digital data, and advanced tools that make the Collection more usable across markets.

This section outlines the work undertaken to strengthen the digital foundations of the Heineken Collection, enabling access to both born‑digital content and digitised historical and vulnerable material.

Digitisation with a purpose 

 

Digitisation remains a core activity for the HCF, not as an end in itself, but as a way to safeguard fragile originals and enable wider reuse. Throughout the year, efforts were focused on clearly defined projects with practical outcomes.

In collaboration with Picturae, an external specialist in cultural heritage digitisation, a substantial volume of posters, photographs, labels, albums, and archival materials was digitised and added to the Memorix digital asset management (DAM) system, where the Collection’s digital files are stored and managed. A selection of this digitised material is visible in this report through the images shown.

Additional photography projects documented key locations such as the Zoeterwoude brewery and its former R&D Centre. Selected objects were also digitised specifically for use in the Heineken Experience, supporting inclusive and accessible heritage presentation.

High‑resolution files were also delivered for selected internal and external productions, enabling quality reuse while reducing the need to handle original objects.

Reuse of collection assets

 

Digitised collection material was actively reused in 2025 to support communication, design and activation projects across HEINEKEN. This enabled heritage assets to be applied efficiently and consistently in contemporary settings, supporting a more integrated use of collection material across organisational activities.

 

Examples from 2025

  • Use of historic imagery to support the EverGreen 2030 Forum and other executive‑level events.
  • Provision of digital assets for interior and spatial design projects, including hospitality venues and brand environments.
  • Supply of historic visuals for global and local brand campaigns, including football‑related activations and trade marketing initiatives.
  • Support for structured internal storytelling projects using curated heritage visuals (e.g., timelines), ensuring that heritage narratives can be reused across formats and audiences.

 

Preparing for linked data

 

Throughout 2025, the Collection prepared its data for the transition from Memorix Maior to Memorix Nexus. The emphasis was on improving structure and consistency, creating a stronger foundation for future use of linked data and clearer connections between objects, stories and contexts. This work contributes to future‑proofing the Collection’s digital infrastructure.
 
 

Examples from 2025

  • Mapping and cleaning of existing records in preparation for migration.
  • Execution of migration preparation sessions in collaboration with Vitec Memorix.
  • Technical alignment of collection records to support the upcoming move to Memorix Nexus.

 

 

Expansion of our image bank

 

The Collection image bank continued to expand through new photography, registrations and publications. The focus was on increasing the volume and completeness of digital records, ensuring that more collection material could be accessed and reused by colleagues across the organisation.

 

Examples from 2025

  • Photography of over 150 beer cans that had been registered in previous years, enabling completion of their records and online availability.
  • Growth to nearly 2,200 objects available online via the Collection website by the end of 2025, including 983 film records.
  • Continued increase in registered image bank users, broadening internal access to digital assets.

 

 

HEIN0008


Digitised posters

Digitised photographs

Digitised books of Heineken® and Amstel® labels

Digitised photo albums

Published images from the 'It could only be Heineken' book

historical Postcards 

 

As part of the Kiosk concept, which introduced a new way of activating the existing Create Space at the Heineken Experience, our team provided historical images from the Collection. These visuals were developed into a series of postcards for use in the space, adding historical context to a contemporary visitor environment.
 
 
 
 

Filling Pieces

 
 
We also supported the Heineken® x Filling Pieces collaboration by supplying historical images from the Collection. These materials informed the visual and narrative layer of the capsule collection, linking contemporary design with Heineken’s brand heritage.
 
 

Street‑level heritage

 

Archival images from the Collection played a key role in the reconstruction of Café De Karpershoek’s historic façade advertisement. Original visual material was used to accurately reproduce the street‑level signage, ensuring the renewed façade reflects its historical appearance.

This project demonstrates the value of the Collection as a visual reference point, enabling historically grounded decisions that connect present‑day initiatives with the city’s layered past.

 

Documenting the Former R&D Building

 
 
In the period leading up to the opening of the new Global R&D Centre in June, we documented the former R&D building through a dedicated photo series. The images were taken at a moment of transition: most colleagues had already moved to their new workplace, while a small number were still working on site. All spaces were recorded ahead of the final move. Capturing moments like these is part of our ongoing effort to document contemporary milestones as they unfold, helping to trace the evolution of HEINEKEN’s innovation environment and support future storytelling and research.
 
The images in the below image slider are a selection from this series. 
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Expanded use of our digital reporting platform

 

Building on the transition to a digital reporting platform in 2024, we expanded its use in Q1 2025 by also publishing our quarterly updates, HCF News, in the same environment. By bringing both the annual report and our quarterly updates together in one tool, we have created a more consistent, accessible and efficient way of sharing our work.

Using a single platform allows us to reach a broader audience beyond the HCF Board, encourages more regular engagement with our activities, and supports clearer storytelling throughout the year. It also streamlines our reporting process, reduces duplication, and ensures a consistent look and feel across all publications.

This approach also increases transparency, efficiency and stronger connection with stakeholders across the organisation.

From strategy to structure

 

The work described in this segment enables more consistent access to the Collection, supports reuse at scale, and reduces reliance on ad‑hoc solutions. This creates the conditions for heritage to be applied where it adds value — supported by structured data, resilient systems and a clear long‑term direction aligned with the HCF Strategic Plan.

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09_Collection Management

WE are
future-proof

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R

obust, efficient, and sustainable collection management is the foundation of everything we do. In 2025, we continued investing in documentation, conservation, and optimisation of resources, to secure long‑term stewardship of both physical and digital assets.

This segment outlines the improvements that help keep the Collection reliable, accessible, and ready for the future.

building a sustainable collection

growth and documentation

 

The Collection continued to grow through focused acquisitions and substantial donations, primarily from within the HEINEKEN organisation and former colleagues. New additions ranged from historical advertising designs and share certificates to personal objects reflecting professional life across the company. Examples include a sample share certificate (scriptbewijs) from Multi Bintang Indonesia dating from 1981, the year the company went public, as well as a rare menu from the 1939 World’s Fair in New York and an unrealised poster design from the interwar period. Painted Humpty Dumpty designs from the 1970s further broadened the historical scope of the Collection.

Hydrometer donated by Kraayo | 1900-1950

 

Digital material was also added, including the design archive of HEINEKEN’s former Global Head of Design. Spanning approximately two decades, this archive strengthens collection practice by supporting structured cataloguing, research and long‑term reference use.

Refining the Collection

 

Alongside growth, the Collection was actively refined to maintain relevance and manageability. Following identification research, the gable stone from the former house of architect Bleijs was deaccessioned and transferred to the Vereniging van Vrienden van de Amsterdamse Gevelstenen for restoration and public display. In addition, part of the long‑term loan from Beer Museum De Boom was converted into a donation, including brewing utensils and furniture that were overcomplete within the Collection.

Gabel stone Bleijs | Amsterdam 1884

 

Two World Bottles (Wobo’s) were also donated to the Metropolitan Museum of Art in New York, contributing to the documentation of environmental architecture in an international context.

usage and long‑term value

 

The Collection was actively used through a range of short‑ and long‑term loans, supporting both internal and external contexts. Objects were loaned for events such as HEINEKEN Commerce Week, Forum, the Champions League final in Munich and the Heineken Business Event in Amsterdam. Existing loans were extended, including those to the Stichting Dockumer Biergilde, and new loans were issued for locations such as the Heineken building in Rotterdam. To mark the opening of the Dr. H.P. Heineken Centre, a temporary loan of home draught systems supported the object presentation at the site.

 

Rotterdam Brewery picture, used in the Heineken Building | 1954

Total # objects in our database:

40135 

objects added in 2025:

838 

total # media records:

44967

poster design – Pol Dom

 

An unrealised Heineken® poster design by Pol Dom, dating from the period 1920 – 1940, was acquired in 2025. No printed versions are known to exist.

The design offers a rare glimpse into early visual brand development and the craft behind pre‑war advertising design before large‑scale advertising became common.

 

New york world fair menu

 

We added a rare menu from the 1939 World’s Fair in New York, originating from one of the restaurants in the Dutch village “Heineken on the Zuiderzee”. The menu was acquired through former Heineken Experience employee Henry Wijnen and reflects Heineken’s early international brand presence.

The concept for “Heineken on the Zuiderzee” was initiated by Leo van Munching Sr., who was responsible for Heineken’s distribution and marketing in the United States via Austin Nichols & Co. At the Fair, four large restaurants were operated, each seating between 750 and 1,000 guests, serving Heineken beer alongside Dutch dishes. The menu offers insight into how the brand positioned itself abroad in the interwar period, combining national identity with international ambition.

 

 

Humpty Dumpty – Paul Davis

 

Painted Humpty Dumpty designs by Paul Davis from 1976 were added to the Collection on loan from Mrs de Carvalho‑Heineken.

The works contribute to the representation of brand‑related visual culture from the 1970s and complement existing material from the same period.

 

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Safeguarding the Collection

Preventive conservation and collection care

In 2025, safeguarding the Collection focused on preventive conservation and day‑to‑day collection care across locations. Throughout the year, objects were actively monitored, treated and stabilised to reduce long‑term risks. This included sealing approximately one hundred silver objects to slow oxidation, inspecting all textiles in depots and display areas following signs of pest activity, and taking precautionary measures where needed, such as freezing an affected flag.

Several individual objects required targeted attention. A large pastel drawing by Bessel Kok, rediscovered at a HEINEKEN office location, was transferred for conservation treatment after damage to its frame was identified. In other cases, specialist advice was sought to assess and limit irreversible damage, such as staining on historic seating furniture originally from the Heineken Villa.

Environmental conditions also remained under close review. Ongoing climate monitoring in the Amsterdam depot revealed deviations from earlier specifications, leading to technical consultations with external parties to identify improvements. While implementation will follow in a subsequent year, this work ensured that risks were identified early and addressed in a structured way.

Together, these actions reflect a proactive approach to collection care, focusing on stabilisation, risk reduction and informed decision‑making to support the Collection’s long‑term preservation.

At work in the Brand Collection | Wijlre 2025
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Collection Emergency Response in practice

 
Preparedness remained a priority. Collection Emergency Response (CER) training sessions and tabletop exercises were organised for Heineken Experience staff, supported by external safety expertise. These activities strengthened awareness, response readiness, and cross‑disciplinary coordination in the event of incidents affecting collection objects.
 
In this short video, Marieke van Vlierden highlights the work carried out in 2025, translating emergency procedures into everyday practice.
 
 

From Object to Record

 

Maintaining accurate and comprehensive collection records remained a central activity in 2025. The collection database continued to grow, with hundreds of object records added during the year and ongoing expansion of media, event and person records. 

Registration work increasingly included digitally born material. This ranged from internal to external communications on sustainability, health and safety, DEI and digital developments. In doing so, recent history is captured alongside physical objects.

In addition, major company events and initiatives were systematically documented as collection events.

Objects, media and contextual information related to milestones such as the opening of the Dr. H.P. Heineken R&D Centre and developments at the Heineken Experience were grouped within the database, strengthening connections between objects and their broader historical context.

AV titles added in 2025:

90

digital files added in 2025:

170

film rolls & tapes added:

72

Audio Visual Heritage

 

Work on audiovisual heritage continued at scale in 2025, strengthening both preservation and reuse. Large numbers of U‑matic and Digibeta tapes were digitised, including material that required specialist treatment to stabilise carriers before playback. This safeguarded historically valuable company films and commercials—some dating back to the early 1990s—and halted further degradation of vulnerable formats. As a result, the AV collection grew with 90 new titles, supported by the intake of 72 analogue film rolls and tapes and 170 digital files.

The impact of this work extended beyond preservation. Digitised footage was actively reused to support internal and external storytelling, increasing the visibility and relevance of the Collection. Historic film material was presented in new formats on screens in the Dr. H.P. Heineken Centre, while curated audiovisual assets also featured in externally published conten. Ongoing registration ensures these assets remain findable, accessible and ready for future use across the Collection.

We visited Frédérique Urlings at work in her climatised workspace, to learn more about what she has been working on in 2025. Watch the video below to find out.

 


 

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Storage strategy, logistics and efficiency

 

Optimising storage and accessibility

In line with the One Collection, Two Locations approach, the relocation of major objects was carried out between Amsterdam, Zoeterwoude and external depots to improve storage conditions and accessibility. This included the transfer of the 1977 beer truck designed by Ger Dorant, as well as the relocation of 38 art objects to climate‑controlled facilities in Zoeterwoude. In addition, 60 paintings and over 1,000 architectural drawings were moved from suboptimal storage conditions to a climatized external depot.
By the end of 2025, a total of 1,512 objects were securely housed at the European Conservation Center (ECC), freeing capacity at core locations and supporting long‑term preservation.
 

Repackaging and collection logistics

Efficiency gains were achieved through targeted repackaging and practical collection logistics. The beer can collection was fully reorganised, with approximately 800 cans sorted by size and condition and repacked to improve storage density and handling safety. Collection work also continued at external locations, including a multi‑day visit to the Brand Collection in Maastricht, where location registration was updated, objects with mould were isolated, and new acquisitions were registered. These activities supported consistent collection care across the full collection footprint.

A year of preservation and progress 

Archive Revive

 
2025 was a pivotal year for Archive Revive, the project dedicated to safeguarding HEINEKEN’s rich historical archives. Under the guidance of the Heineken Collection Foundation and with the expertise of Doxis, we worked tirelessly to process and relocate approximately 1,900 meters of archival material from multiple sites to Zoeterwoude and Helicon. 

Despite unexpected challenges – including biological contamination and the discovery of an additional 1.5 km of archives at Iron Mountain – the team adapted swiftly and delivered on every major milestone. Complex archives were treated and secured, ensuring that these irreplaceable records will remain accessible for generations to come. 

We are proud to report that the project stayed within its approved budget and on schedule throughout 2025. However, the newly uncovered archives have highlighted the need for a follow-up phase. While this extension was initially planned for 2026, financial considerations have led to a postponement. Our goal is to resume this important work in 2027, continuing our commitment to preserving HEINEKEN’s legacy in full. 

A note of appreciation 
We extend our sincere gratitude to our partners Doxis and Helicon for their unwavering support, flexibility, and expertise throughout this journey. Their collaboration has been instrumental in overcoming challenges and achieving success. 

10_Team

WE are

a team

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The HCF is supported by a dedicated team seconded from Heineken N.V. and governed by a volunteer board.

Additionally, the HCF engages freelance experts for collection registration, conservation, restoration, and research tasks.

The team

Demelza van der Maas Collection Manager 

 

Frédérique Urlings Registrar 

 

Marieke van Vlierden Registrar 

 

Olaf SlijkhuisDigital Asset Manager

 

Lissa Mackie Communication Specialist

The board

 

 

 

 

 

 

 

 

 

 

 

Marc Koster – Chairman

 

 

 

 

 

 

 

 

Jan Willem van RiemsdijkTreasurer 

 

 

 

 

 

 

 

 

 

Francis Tjaarda – Board Secretary 

 

finances

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Balance Sheet
20242025
Assets
Non-current AssestCollection€ 1€ 1
Website Development€ 0€ 0
Total non-current assets€ 1€ 1
Current AssetsCash€ 112,667€ 78,694
Inventory€ 788€ 125
VAT receivable€ 11,131€ 3,105
Accounts receivable€ 0€ 0
Total current assets€ 124,586€ 81,924
Total Assets€ 124,587€ 81,925
Liabilities & Equity
Current liabilitiesAccounts payable€ 0€ 0
VAT payable€ 12€ 0
Short term debt€ 0€ 0
Total Liabilities€ 12€ 0
EquityRetained earnings€ 124,575€ 81,925
Total Liabilities & Equity€ 124,587€ 81,925

Notes on the balance sheet

General

The balance sheet has been prepared in accordance with accounting principles generally accepted for foundations in the Netherlands. Assets and liabilities are recognised at nominal value, unless stated otherwise.

 

Non‑current assets

Collection
In accordance with accounting practice commonly applied by museums and heritage institutions, the collection is recognised in the balance sheet at a nominal value of €1. The collection is not capitalised at market value, as reliable valuation is not feasible and the collection is held for cultural and public‑benefit purposes rather than for sale.
Expenditure relating to acquisitions is charged directly to the profit & loss statement in the year in which it is incurred. No disposals of collection items took place during 2025.

 

Current assets

Cash
Cash represents the balance held on the foundation’s bank account as at 31 December 2025.

 

Inventory
As at 31 December 2025, inventory consists of 14 copies of the book “It could only be Heineken”. Inventory is valued at cost, resulting in a total inventory value of €125.

 

VAT receivable
The VAT receivable at year-end is lower than in the prior year, primarily reflecting lower expenditure in the fourth quarter of 2025 compared to the same period in 2024. Its balance of €3.105 as at 31 December 2025 is composed of:

  • €3.150 relating to the VAT return for Q4 2025, which was filed in 2025 and received in January 2026
  • -€45 relating to a VAT correction for prior years

 

Accounts receivable
There were no outstanding accounts receivable as at 31 December 2025.

 

Liabilities

 Accounts payable
There were no outstanding accounts payable as at 31 December 2025.

 

VAT payable and other liabilities
No VAT payable or other liabilities were outstanding at year-end.

 

Equity

Equity / retained earnings
Equity consists of retained earnings from prior years. The decrease in retained earnings during 2025 results from the negative result for the year. This negative result reflects the planned use of available reserves in accordance with the foundation’s objectives.

Profit & Loss Statement
20242025
IncomeDonations € 90,000€ 90,000
Other Income€ 0€ 0
€ 90,000€ 90,000
ExpensesRestoration & Acquisition€ 7,398€ 3,420
Transport & Storage€ 27,519€ 34,272
Publications (incl. annual report)€ 3,248€ 1,595
Literature & Subscriptions€ 1,388€ 834
Office costs (incl. tools and equipment)€ 6,556€ 0
Other (incl. bank costs)€ 1,978€ 5,286
Projects total:€ 100,202€ 87,243
Thoughtleader & Inspirator€ 62,522€ 38,304
Connected Collection€ 37,681€ 26,800
Collection Management€ 0€ 22,139
€ 148,288€ 132,650
Result-€ 58,288-€ 42,650
Result-€ 11,139-€ 58,288

Notes on the profit & loss statement

Income

Income during the year 2025 consists of a donation received from HNV.

 

General

The foundation incurred a negative result in 2025 as a direct consequence of the planned deployment of available funds in line with its statutory objectives. Expenditure was primarily aimed at the preservation, accessibility, and presentation of the collection and related heritage activities.

 

Strategic project expenditure

A substantial portion of total expenditure relates to strategic projects that directly support the foundation’s public benefit objectives. Total expenditure on strategic projects amounted to €87,243 in 2025 (2024: €100,202).

 

Thoughtleader & Inspirator

Expenditure under Thoughtleader & Inspirator relates to activities aimed at documentation, interpretation, and public presentation of Heineken heritage. Costs incurred included:

  • Production of the HEINEKEN Series (€17,000)
  • Completion of the GreenGaints project (€9,000)
  • Development of standardised content (€6,800)
  • Organisation of the ForEverGreen Day (€4,000)
  • Communication and photographic documentation in support of the archive and collection (€1,600)

 

Connected Collection

Expenditure under Connected Collection relates to maintaining and improving digital access to the collection. Costs incurred include:

  • Maintenance of the digital collection management system (€18,000)
  • Digitisation of collection items by third parties (€5,800)
  • Website-related costs (€2,900)

 

Collection Management

Expenditure under Collection Management relates to activities supporting the physical care and accessibility of the collection, including:

  • Reorganisation of the depot (€12,200)
  • Investments in the audiovisual (AV) project (€9,900)

 

Restoration & Acquisition

Restoration & Acquisition expenses mainly relate to acquisitions intended to preserve and complement the collection. During the year, acquisitions included objects by Henry Wijnen, an Obertje advertising sign, and a poster acquired via the Twents Veilinghuis. Acquisition costs are expensed in the year incurred.

 

Transport & Storage

Transport & Storage expenses amounted to €34,272 and relate primarily to the safeguarding of the collection. These costs are composed of:

  • External storage of the Brand Collection (€22,300)
  • Storage and related services provided by UTS (€6,300)
  • Transport costs, including Heilicon and other transport services (€5,700)

 

Publications

Publication costs relate primarily to the preparation and publication of the annual report via jaarverslag.org.

 

Literature & Subscriptions

Literature & Subscriptions expenses consist of membership contributions to professional and heritage-related organisations, including NFG, ERIH, VBH, Amstelodamum, and Stichting Bedrijfsgeschiedenis.

 

Other expenses

Other expenses consist of:

    • Design costs related to the strategic plan (€2,250)
    • Write-offs (€2,120), including non-recoverable VAT from prior years and inventory adjustments following the donation of two books
    • Bank charges and eHerkenning (€300)
    • Travel expenses (€290)
    • Costs related to the Bierboeier, including fuel, vignette, and passage fees (€200)